Is this guy an idiot? Probably, but feel free to double check as you go along. A 24mm will act like a 35mm-ish and so forth. The Tilt-Shift section may be rotated left by 90 degrees (with 30 degree adjustment), while mount of the lens may be rotated both in left and right direction by 90 degrees (with 30 degree adjustment). There are also third party tilt-shift lenses which cost 1/2 as much as Nikons TC-E lenses, and which lets you adjust the relative orientations of the two planes on the fly. So, If you're using an APS-C camera and you buy a full frame lens at 50mm, it will actually act like an 85mm-ish. What's this crop factor I hear about? One thing to know is that stepping up to the next sensor sized lens will come with around a 1.6ish crop. 3) A rubber accordion-like plunger (preferably a black one, to prevent light leaks, but if you cant find one you can use a different color one like me and. Ebay is great resource, you can pick a high quality lens up for around 15. If you're looking to shoot portraits or lifestyle, maybe a 50mm or 85mm. 1) An SLR or a DSLR camera body with interchangeable lens. ![]() If you're doing architecture or enjoy really wide shots, I'd suggest getting a 24mm or 35mm. Which focal length should I get? This really depends on what you are shooting. By rotating your tilt-shift lens, you are able to manipulate the depth of field in a way that both a subject in the back and in the front can be in focus. So, if you're using a APS-C camera, using a lens meant for a Full Frame camera should work well, if you're on a Full Frame like me, you'll want a Medium Format lens and so forth. This project will work with any, you'll just need to buy a lens that is meant for at least the next size up. They include the wide-angle PC-E Nikkor 24mm f/3.5D ED, the standard length PC-E Nikkor 45mm f/2. Which sensor size lens is for me? Let's start with your camera which may be one of the 3 fairly common sensor sizes (small to big): APS-C, Full Frame and Medium Format. Nikon manufactures three variations of a tilt-shift lens, designated with a PC-E to signify Perspective Control. ![]() ![]() The adaptor mechanism pushes the lens away from the camera a couple inches, making larger lenses mostly necessary. Tilt shift lenses enable photographers to transcend the normal restrictions of depth of field and perspective. These lenses are basically larger format lenses with built-in adapters that allow you to pan, tilt and lock in your arrangement. Tilt-shift lenses were made first to correct architecture and distortion of images but have become a favorite by photographers and videographers as when used "improperly," they give a really interesting look.
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